Jonathan Harvey can be thought of as an English Stockhausen: he is perhaps best known for integrating electronically generated sound with live music in the service of a mystical outlook with many (especially non-Western) philosophical influences. However, Harvey's large output also contains many accessible choral pieces and acoustic avant-garde works for orchestra or chamber ensemble. While a student at Cambridge, Harvey studied composition privately with Erwin Stein and Hans Keller (following the advice of Benjamin Britten), from whom he learn...
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